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El Chinero, un cerro fantasma at the Museum of Contemporary Art of Rome in the screening program: “by the scars they leave”
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with texts by Nicole Brenez, Ariella Aïsha Azoulay, Carlos Prieto Acevedo, David Bautista Toledo, Bani Khoshnoudi /// Published by Editorial Ñ (Mexico City) with the support of Fundación JUMEX Arte Contemporaneo /// 173 pages, bilingual English-Spanish /// Available for purchase at various bookstores, as well as through Light Cone (Paris), Jeu de Paume (Paris), Librairie
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Invited as a contributor to the “Disobediance Archive” project by curator Marco Scotini, Bani Khoshnoudi will have work featured at the 60th Biennale di Venezia in the Main Exhibition: “Stranieri Ovunque / Foreigners Everywhere” curated by Adriano Pedrosa (April 20 to November 24, 2024) at the Giardini/Arsenale
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Essay published in Collaboration: A Potential History of Photography by Susan Meiselas, Ariella Aïsha Azoulay, Wendy Ewald, Laura Wexler, Leigh Raiford. Published by Thames and Hudson. Collaboration presents a groundbreaking and multifaceted history of photography which explores photography through the lens of collaboration, challenging the dominant narratives around photographic history and authorship. In a vast,
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December 4 to 9 2023 / 13h-18h CEM (Togetherness) looped screening at BEURSSCHOUWBURG in Brussels in a joint program JANUS TUSSLE with works by Omar Adnan Chowdhury and Rosalind Nashashibi in collaboration with Lucy Skaer https://www.beursschouwburg.be/en/events/janus-tussle/
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Essay in the new book Collaboration: A Potential History of Photography (Thames and Hudson, 2023) by Susan Meiselas, Ariella AÏsha Azoulay, Wendy Ewald, Laura Wexler and Leigh Raiford. A radical new history of photography from a team of esteemed writers and thinkers that focuses on the complex collaborations between photographer and subject. This collection uses the lens
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2013, Dual channel video installation TRT / 21 minutes (loop), Color, Iran A reflection on the place of (migrant) workers in modern society as well as an observation of the foundations of our cities and our cemeteries. The two things that strike me most in Tehran, and a recurring obsession in my work, is how
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2012. Video installation, various time durations – Color, Video, Iran Working with archival images from a key historic moment, iconic images from a Revolution, these studies explore notions of duration (cinematic and historical), memory (virtual and image-based), and what effects these have on a sensorial level and on our emotions (affect) as historic and possibly
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A 30-minute visual lecture performance to occur in 2023, explores the power of imagery in protests in Iran. Utilizing images sent by protesters and their families, it reflects on the intergenerational and plural liberation movement in Iran, its evolving resistance and the witness’s role amidst all. The performance has been commissioned by Paris’s Centre Pompidou…
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2022
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BANI KHOSHNOUDI 